About Us

Originally from the Tricity, he is a theatre director, actor, puppeteer, general and artistic director of the Miniatura Theatre since September 2019. He graduated from the faculty of acting (PWST National Academy of Theatre Arts in Wrocław), theatre directing (PWST National Academy of Theatre Arts in Kraków/Wrocław), and also studied directing and playwriting in Spain (Institut del Teatre, Barcelona). He specializes in productions of form theatre and theatre for young audiences. A scholarship holder of the Ministry of Culture and National Heritage, honoured and awarded locally and nationally. He has produced over fifty theatrical productions (not including the production of nearly thirty performative readings) in Poland, Spain, the Czech Republic, Slovakia; and has worked in Polish, Czech, Slovakian, French, Spanish, Catalan and English.

A graduate of the Jagiellonian University in Kraków (Polish Studies with a major in Theatre Studies), and a postgraduate course in Arts and Cultural Management at the Faculty of Management and Social Communication.
Straight after graduation, she worked at the Wybrzeże Theatre in Gdańsk, where, under the directorship of Maciej Nowak, she produced more than 20 theatre productions in collaboration with, among others, Anna Augustynowicz, Krzysztof Babicki, Paweł Demirski, Grzegorz Wiśniewski and Michał Zadara.
In 2009, she was hired at the European Solidarity Centre as a manager of civic projects and oversaw the implementation of cultural, social, and educational events including the annual celebration of the signing of the August Agreements, the All About Freedom Festival, the Solidarity of Arts Festival, and art installations. In 2015, she was awarded the Gloria Artis Bronze Medal for Merit to Culture.

From 2016 to 2018, she was the deputy director at the Baltic Opera in Gdańsk, responsible for administrative and organisational matters, promotion and public image of the theatre and, above all, for building and implementing an educational offer for a wide audience from infants to seniors.
From 2018 to January 2020, she was the deputy director in the Mayor’s Office for Culture at the City Hall in Gdansk.

Since February 2020, the deputy director at the Miniatura City Theatre, she has been responsible for educational, promotional and sales activities, the work of the artistic management department and the technical and economic department.

A graduate in theatre studies from the Jagiellonian University, since April 2020 she has been the literary manager of the Miniatura Theatre in Gdańsk and its press officer. Co-author and author of scripts for plays at the Miniatura Theatre: The Ugly Duckling, Seven Dwarfs, Malwina’s Magical Christmas, What’s up with the Devil (Theatre Award of the City of Gdańsk), and Atlas of Remote Islands. Occasional translator, including Andri Snær Magnason’s Blue Planet, which is staged at the Miniatura Theatre. Author of children’s books Malwina ratuje święta/Malwina Saves Christmas and Jak się tu znaleźliśmy/How Did We Get Here (distinction in the contest Book of the Year 2022 of the Polish section of IBBY in the literary category) and Zmień się!/Let’s Change. Participant in the Playwrights Forum at the Adam Mickiewicz Institute and the Zbigniew Raszewski Theatre Institute. Between 2009-2013, theatre reviewer for the National Audiovisual Institute’s
dwutygodnik.com magazine.

At Miniatura, she is involved in programming, liaising with the media, editing publications and promotional materials, online marketing, grant applications and sometimes coordinating events. She is the originator of the Sztuka się Robi/Theatre in the Making artistic residency programme for artists who are involved in theatre for children and young people. Particularly interested in the topic of audience development, she has participated in numerous courses including the British Council and The Audience Agency Cultural Skills Academy: Developing Audiences course (2016), and two editions of the summer school of the international project ADESTE+ (Change within Change. Re-examining the role of the cultural organisation and its relationship with the public 2020, From audience to people 2021).

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